Nora Aunor Fan’s Club’s “Kaplas”, is my favorite, risqué lyrics notwithstanding (Read the lyric sheet and be shocked). Mental Floss’s “Ing Lugud Ning Indu” has been energized with an effective opening electric guitar riff that leads to a stirring Sampaguita-esque rendition (sorry for my point of reference, my age is showing) of this paean to mothers, as if to tell us that this is how a tribute should be sung-loud and proud. Tibuan’s cover of “Sintang Pangarap” likewise puts a funky spin to this already irreverent song of courtship. “Istorya nang Raffy Balboa” by Chilimansi, stuck close to the original treatment, but this version has more drama to the narrative. “Sibul ning Arayat” has been given an upbeat reggae makeover (band: 5 Against The Wall), so refreshingly light and lilting. I still find some of the songs too loud for comfort, but the arrangements are interestingly fresh and engaging. But when I played the RockKapampangan CD, I found myself listening to the entire 16 tracks not once, but twice. I confess, I am not exactly a rock fan-Led Zeppelin’s Stairway to Heaven and Queen’s Bohemian Rhapsody are the only valid rock songs that I can listen to in their entirety. Now a gang of young Kapampangan rockers have taken his songs (including adapted traditional tunes) and given them a contemporary rock beat, in a new CD co-produced by the Holy Angel University Center for Kapampangan Studies and Kalalangan Kamaru (19 year old Jason Paul Laxamana, also the CD project director). That’s what makes his music so appealing, a spoonful of humor does make the medicine go down. When he belts a song in a familiar style that harkens back to the “polosas” of yore, Totoy doesn’t just sing the lyrics but also speaks the truth, often sugarcoating it with his seeming flippance and frivolity. A legendary name in the local music scene, Totoy Bato, accompanied only by his guitar, sings just about everything: from his favorite Kapampangan places, about love gone wrong, the loneliness of a Saudi worker to the wayward lives of OFW’s. Suggest a correction in the comments below.Totoy Bato (real name: Rodolfo Laxamana) is Pampanga’s foremost minstrel man, an itinerant singer of bawdy Kapampangan ballads, folk songs and English pop hits reworked with Kapampangan lyrics. Lahat ay iindak sumasabay kay totoy bibbo kay totoy bibbo.Įveryone dances along with totoy bibbo totoy bibbo.Ĭontributed by Xavier K. Lahat lumuluwang mata pag ako'y nakikitang palapit naĮveryone's eyes widen when they see me coming

Whenever there's a feast, I'm in great demand He taught me the steps of pasa-doble, boogie, and rhumba My grandfather taught me how to dance tango

Overall, the song celebrates the joy of youth and the passion that people can have for dance and music.

It is also a cultural reference to the Filipino tradition of dance and music, which has been an important part of their heritage for many generations. Totoy Bibbo is a fun and upbeat song that celebrates the joy of dancing and the natural talent that some people possess.

The bridge of the song highlights the captivating effect of Totoy Bibbo's dancing, with the lyrics saying that he can't help but move to the music and everyone around him joins in. He is confident in his ability to dance and knows that everyone enjoys watching him perform. The chorus of the song emphasizes Totoy Bibbo's dancing skills, with him proclaiming that he is excellent at moving and grooving. Whenever there was a fiesta, he was always invited to dance and everyone would turn their heads when they saw him approaching. As a result, he became known as Totoy Bibbo. He was taught various types of dances such as tango, pasodoble, boogie, and rhumba, which he combined and became very good at dancing. The lyrics to Vhong Navarro's song Totoy Bibbo are about a young man who learned how to dance from his grandfather and father.

Totoy bato song lyrics